A powerful monchrome addition to the Rice, Ink and Colors Series, this artwork strips away color to focus entirely on the raw interaction between black ink and delicate rice paper. Inspired by the structures of commercial lettering, the composition transforms typographic characters into abstract glyphs. The fluid, curving lines of the ink echo the lively movement of ancient Minoan frescoes and linear scripts. By balancing the strict geometry of writing with the organic bleeding of ink on paper, this minimalist piece evokes the feeling of an unearthed historical artifact reimagined through a contemporary lens.