My artistic practice is based on a hybrid production process that extends from digital to analog. My journey that began with photography has over time transformed into a multi-layered research field that includes darkroom experiments, alternative printing techniques and digital interventions. While the tension between light and shadow forms the fundamental dynamic of my production; my thoughts on composition, rhythm and surface shape the process.
Without adhering to a specific theme, I move with an intuitive orientation. Questions about time, memory, body and space form the conceptual foundation of my production. Particularly analog and experimental printing processes reflect my interest in the concepts of uniqueness and irreproducibility. While questioning photography's documentary nature, I aim to establish a layered and intuitive narrative that is not confined to the visible. My production invites the viewer to reconsider perception by blurring technical and intellectual boundaries.
