
2010
TR
₺ 35,000
Barış Gülen' More From
2010 is a composition produced in 2016 using acrylic on canvas, conceived as a horizontal diptych totaling 48×18.5 cm, consisting of two canvases each measuring 24×18.5 cm.
The title is a year: 2010. Neither a question nor an explanation — just a date. But this simplicity is deceptive; because choosing a year as a title means marking that year as a feeling, as an atmosphere, and perhaps as a turning point. The work does not narrate 2010; it remembers it. And to remember is always, in part, to recreate.
The diptych format is in deep harmony with this theme of memory. Two separate canvases stand like two sides of a single moment: formally expressing the fragmented nature of memory, the fact that a moment can never be fully grasped from a single perspective. The two parts complement each other but do not fully merge — that small gap between them is like that inevitable loss within time.
The difference in color and atmosphere between the two canvases is striking. The first canvas carries a darker, more introverted, and heavier energy: dominated by dark green and black, with flashes of yellow and red conveying perhaps the difficult, complex face of that year. The sharp and decisive movements of white lines symbolize a rupture, a cross-section, the sudden turns within that period. The second canvas, meanwhile, has a lighter ground and a more spacious upper area; yellow here is freer and more luminous. The emergence of purple, turquoise, and light blue tones speaks of a different season within the same year, a different state of mind, or how one's view of that year changes as time moves forward.
Strong vertical forms and sharp shapes shooting upward dominate both canvases. This vertical impulse carries the desire for growth, progress, and the wish to emerge from within things. 2010 is most likely a year in which something began or transformed — and this vertical energy is the visual counterpart of that transformation. It is significant that yellow holds a central insistence in both canvases: yellow is the color of hope, energy, and the will to live; the color of something that remained alive despite the darkness of that year.
2010 stands at the intersection of personal history and collective memory. Whatever year the viewer was born, whatever year they experienced something, when they encounter a work that has so deeply internalized a single year, they remember their own 2010. And perhaps this is precisely the work's greatest strength: the transformation of a particular year into a universal invitation to memory.
